My main comic, Lucid Dragons, the series blends time travel, privatised military forces, dragons, aliens, and inter-dimensional portals into a high-stakes sci-fi world. It’s a deliberate B-movie homage (Al Pyun meets Crossworlds, meets Michael Levine + Paul Donovan) — fast, strange, emotional, and unafraid of big ideas colliding.
Think pulp energy and cult-film DNA: parallel worlds, experimental tech, myth colliding with machinery, and characters trying to survive systems bigger than themselves.
Influenced by creators and tones spanning cinematic genre work and bold visual comics — from Jack Cole’s moral and physical elasticity to the atmosphere and structure of Jim Krueger and Jae Lee — the series aims for a mix of spectacle, character tension, and layered worldbuilding rather than straightforward superhero storytelling.
How the Other Comics Differ
Not everything sits in that same lane.
Awkward Dragonspeaker #1
Short-form, experimental pieces. Personal, strange, sometimes raw — exploring voice, memory, and late-night interior worlds rather than large external conflict.
Five Late Night Stories
More grounded and psychologically driven — character-first storytelling, quieter stakes, and emotional realism over spectacle.
Across all projects, the throughline is the same:
Stories about people navigating unstable worlds — whether those worlds are cosmic, political, mythic, or deeply personal.